Details: El
Greco (1541-1614).Cretan-born painter, sculptor, and architect who
settled in Spain and is regarded as the first great genius of the
Spanish School. He was known as El Greco (the Greek), but his real name
was Domenikos Theotocopoulos; and it was thus that he signed his
paintings throughout his life, always in Greek characters, and
sometimes followed by Kres.Little is known of his youth, and only a few
works survive by him in the Byzantine tradition of icon painting,
notably the recently discovered Dormition of the Virgin (Church of the
Koimesis tis Theotokou). In 1566 he is referred to in a Cretan document
as a master painter; soon afterwards he went to Venice (Crete was then
a Venetian possession), then in 1570 moved to Rome. El Greco excelled
also as a portraitist, mainly of ecclesiastics (Felix Paravicino,
Boston Museum, 1609) or gentlemen, although one of his most beautiful
works is a portrait of a lady (Pollock House, Glasgow, c. 1577-80),
traditionally identified as a likeness of Jeronima de las Cuevas, his
common-law wife. He also painted two views of Toledo (Met. Museum, New
York, and Museo del Greco), both late works, and a mythological
painting, Laocoon (National Gallery, Washington, c. 1610), that is
unique in his oeuvre. The unusual choice of subjects is perhaps
explained by the local tradition that Toledo had been founded by
descendants of the Trojans. El Greco also designed complete altar
compositions, working as architect and sculptor as well as painter, for
instance at the Hospital de la Caridad, Illescas (1603). Pacheco, who
visited El Greco in 1611, refers to him as a writer on painting,
sculpture, and architecture. He had a proud temperament, conceiving of
himself as an artist-philosopher rather that a craftsman, and had a
lavish life-style, although he had little success in securing the royal
patronage he desired and seems to have had some financial difficulties
near the end of his life.Some of his most beautiful and popular works
are: View of Toledo (1597), El Espolio (1577-79), The Adoration of the
Shepherds (1612-14), The Annunciation, Christ on the Cross Adored by
Donors (1585-90), St. Martin and the Beggar (1597-99), Madonna and
Child with St. Martina and St. Agnes (1597-99), Baptism of Christ
(1597-1600), The Repentant Peter (1600), Portrait of a Cardinal (1600),
Saints John the Evangelist and Francis (1600), Christ Driving the
Traders from the Temple (1600), Christ Carrying the Cross (1600-05),
Laocoon (1610), The opening of the Fifth Seal of the Apocalypse
(1608-14), Baptism of Christ (1608-14).
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